- #1
Grimble
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http://img682.imageshack.us/img682/4396/movingtrain.jpg
How do these observers line up in relation to each other when A' passes A?
We know that from the train's reference frame B' will be adjacent to C and that from the embankment's frame C' will be adjacent to B, but as there is only one train and one embankment and as each has only a single physical existence and can only physically exist in one place at one time, how do they 'really' line up as they pass.
Now I can appreciate that time dilation and length contraction are perceived effects, distortions if you like due to the relative velocity of the participants, and that that perceived 'distortion' of time and space is reciprocal (as it must be, being due to their relative velocity).
And I can also appreciate that, to the observers in their reference frames those 'distortions' are the 'real' measurements they perceive; much as the pitch, of the sound of a passing car, being higher as it approaches and lower as it recedes, is real to an observer, whilst the actual pitch of the sound produced does not vary. It is once again an effect (albeit entirely different in nature) due to the relative velocity.
Now can we say that if we could calculate their relative positions, rather than 'observing them' from one or other of the reference frames, we would see them align, observer to observer?
Grimble
How do these observers line up in relation to each other when A' passes A?
We know that from the train's reference frame B' will be adjacent to C and that from the embankment's frame C' will be adjacent to B, but as there is only one train and one embankment and as each has only a single physical existence and can only physically exist in one place at one time, how do they 'really' line up as they pass.
Now I can appreciate that time dilation and length contraction are perceived effects, distortions if you like due to the relative velocity of the participants, and that that perceived 'distortion' of time and space is reciprocal (as it must be, being due to their relative velocity).
And I can also appreciate that, to the observers in their reference frames those 'distortions' are the 'real' measurements they perceive; much as the pitch, of the sound of a passing car, being higher as it approaches and lower as it recedes, is real to an observer, whilst the actual pitch of the sound produced does not vary. It is once again an effect (albeit entirely different in nature) due to the relative velocity.
Now can we say that if we could calculate their relative positions, rather than 'observing them' from one or other of the reference frames, we would see them align, observer to observer?
Grimble
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