How Did Saartjie Baartman Influence Victorian Fashion?

[physicssx]

In most African countries, it is still a common belief that thin women are not attractive. Until the 21st century, full-figured women were considered attractive, were respected, and their padded (with flesh) and curvaceous bodies represented wealth, fertility and good health. The western society views a thin woman as ideal body and has forced many women including Africans to believe that a body that deviates from it is unaccepted. Fashion designers use the thin model as a basis from which to create ready-to-wear clothing for all consumers including those whose body characteristics do not comply with the ideal body features. This has resulted in unsatisfied consumers with clothing sold in the retail stores and negative reactions towards their bodies. The problem of ideal body versus un-ideal body shape date back to 19th Century, where Saartjie Baartman’s body shape characterised by full breasts, narrow waist and extra large buttocks was viewed by Europeans as ugly, yet later on, the same body, though not acknowledged, was used to inspire the creation of Victorian bustle dress that resembled her body in every aspect. This article examines the relationship between the Victorian Bustle dress that became popular from 1870 onwards and the unique body features of Saartjie Baartman, an African slave who was displayed in Europe against her wish as from 1810 to 1815, and even after her death, her body continued to be exhibited in a Museum in Paris. This paper concludes that her body could have inspired the development of the Victorian bustle dress. The paper encourages African women to view their bodies sensibly rather than basing their beauty on the western standard ideologies. Likewise, promotional media houses are encouraged to portray all body shapes fairly and positively. African researchers are advised to search beyond surfaces of historical events for the purposes of documenting underlying important facts affecting Africa.

Read full paper by click here.

 

[Evo]

physicssx, when you copy and paste verbatim from another source, you need to show that. I have corrected your post.

 

[physicssx]

physicssx, when you copy and paste verbatim from another source, you need to show that. I have corrected your post.

Hi Evo, I will pay attention to this. Thank you very much.

 

[256bits]

... the same body, though not acknowledged, was used to inspire the creation of Victorian bustle dress that resembled her body in every aspect...

Fashion is a fickle business, which can get it's ideas from anywhere and everywhere. Whether Saartjie Baartman was the inspiration or not of the Victorian bustle dress, or just a coincidence of dress "evolution", it is interesting to look at the styles throughtout earlier times.

http://www.fashion-era.com/bustles.htm
http://www.victoriana.com/Victorian-Fashion/victorianbustles.html

Before that there was the crinoline
http://en.wikipedia.org/wiki/Crinoline

And of course the pannier, which extended the sides of the dress, but not the front or back.
http://en.wikipedia.org/wiki/Pannier_(clothing )

we can't leave out the farthingale, in Tudor time.
http://en.wikipedia.org/wiki/Farthingale

Some wedding dresses, and others for special occasions, conjure up some aspect of these styles.

 

[LudusRex]

I find this topic to be both fascinating and concerning. It is clear from the content that there is a significant cultural and societal influence on the perception of body shape and beauty standards, particularly in regards to African women. The historical context of Saartjie Baartman's body and its impact on the development of the Victorian bustle dress is a thought-provoking connection that sheds light on the often overlooked contributions and inspirations from African cultures.

It is concerning to see how these societal standards can have a negative impact on individuals, causing them to feel unsatisfied and even ashamed of their own bodies. I believe it is important for us to continue researching and documenting the underlying factors and influences behind these beauty standards and their effects on different cultures. By understanding the root causes, we can work towards promoting a more diverse and inclusive representation of beauty in media and fashion.

Furthermore, I agree with the paper's conclusion that African women should view their bodies sensibly and not adhere to western beauty standards. Every body is unique and should be celebrated, rather than striving for an unrealistic and narrow ideal. As researchers, it is our responsibility to delve deeper into historical events and uncover important facts that have shaped and continue to shape our societies. This will allow us to promote a more inclusive and accurate understanding of our world.