Synaesthesia or cross-modality in art

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In summary, Rhody is a trouble maker, Fuzzyfelt is a novice yet insightful, and Sheldon Cooper is still a genius.
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fuzzyfelt
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Following from the “Number Form” thread in GD, and also related to the “Synesthesia” thread in Medical Sciences, here-
https://www.physicsforums.com/showthread.php?t=400140
https://www.physicsforums.com/showthread.php?t=393977
there was a post with a link about a book named “Synesthesia in Art and Science”, and comments made.
https://www.physicsforums.com/showthread.php?t=400140&page=10

Given ideas such as those mentioned by Ramachandran on page 456 in the link I gave in post 121 of the “Number Form Thread”, that they are moving away from other ideas, “perhaps to the idea we are all synesthetes to some extent”, and also taken from Dehaene’s speculation about versions of cross-modality, then such versions of cross-modality would be highly significant, particularly concerning aesthetics.

http://books.google.co.uk/books?hl=e...nguage&f=false
http://books.google.co.uk/books?hl=e...page&q&f=false
 
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Over 400+ hits and no responses ? I didn't think PF was a home for trolls, for this subject I think it may be... No brave souls out there willing to agree of disagree ?

Rhody... now known as aka, "little trouble maker"... hehe :devil:
 
  • #3
Dear Rhody,

I still feel that Dr. Sheldon Cooper is a genius...sees things for what they really are. I only ask that you be more patient with him, and try to understand the context from which he speaks, and teaches.

Regarding Fuzzyfelt...she lends a distinctly novice yet insightful and youthful blend of ideas and questions to the mix. Bully for you, FF.

As as for my comments about Rhody, physics has always been something special in my life. It has allowed me to explore the outer reaches of my mind while also staying grounded firmly on earth...my point was that it relates equally well to the theoretical but also so very well to the real world. It can give you such a boost of confidence in your ability to think outside the box, that you can use that confidence to reach within yourself and conquer your fears and anxieties of normal day to day life. My final point was that such confidence can even lead to a better sex life. I stand by that assertion...that good physics can lead to better sex...there is a direct correlation.

Physics doesn't always have to be about solving the worlds problems...it can be about solving your own too.

Peace.
 
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FAQ: Synaesthesia or cross-modality in art

What is synaesthesia?

Synaesthesia is a neurological condition in which stimulation of one sensory or cognitive pathway leads to an automatic, involuntary experience in a second sensory or cognitive pathway. This means that a person with synaesthesia may experience a blending of senses, such as seeing colors when hearing music or tasting flavors when smelling certain scents.

How does synaesthesia manifest in art?

Synaesthesia can manifest in art in a variety of ways, such as using colors, shapes, or textures to represent different sounds or tastes. Artists with synaesthesia may also use their condition as a source of inspiration for their work, creating pieces that evoke a multisensory experience for the viewer.

Is synaesthesia a common phenomenon in the art world?

While there is no definitive data on the prevalence of synaesthesia in the art world, it is believed that a higher proportion of artists may have synaesthesia compared to the general population. This is because many artists are naturally more attuned to their senses and may be more likely to notice and explore the connections between them.

Can synaesthesia be learned or acquired?

No, synaesthesia is a neurological condition that is believed to be present from birth. However, some research suggests that people who do not have synaesthesia may be able to temporarily experience it through the use of certain drugs or through meditation.

How does synaesthesia affect perception and creativity in art?

Synaesthesia can greatly impact an artist's perception and creativity, as it allows them to see the world in a unique and multisensory way. This can lead to more imaginative and unconventional approaches to their art, as well as a deeper understanding and appreciation of the connections between different senses.

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