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LightningInAJar
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Is it possible to create a lens that expands a narrow range within the visible light spectrum to represent it using full visible spectrum?
LightningInAJar said:Is it possible to create a lens that expands a narrow range within the visible light spectrum to represent it using full visible spectrum?
Is there any reason you would not use software to do this?LightningInAJar said:Is it possible to create a lens that expands a narrow range within the visible light spectrum to represent it using full visible spectrum?
The reason is often Signal to Noise ratio. Distorting the colour space from just three broadband sensors can only take you so far. Eventually you need well defined narrow band filters, particularly for quantative results.DaveC426913 said:Is there any reason you would not use software to do this?
gep, that might be a good reason. If the OP cares to elaborate on his project, we might even find outsophiecentaur said:The reason is often Signal to Noise ratio. Distorting the colour space from just three broadband sensors can only take you so far. Eventually you need well defined narrow band filters, particularly for quantative rsults.
Actually, if you want to analyse virtually anything you need to split it up in some way. This can involve crushing a rock to find the different minerals or even parsing a sentence in an English lesson.LightningInAJar said:I didn't mean filter as I wasn't trying to block any color information out. I basically want to represent segments of the visible spectrum
I just assume the human eye can only deal with so many colors at a time. I figured maybe dividing the visible spectrum into 10 portions, represent those wavelengths using the full visible spectrum (only initially for representation), then give appropriate representation after images are composited.sophiecentaur said:Actually, if you want to analyse virtually anything you need to split it up in some way. This can involve crushing a rock to find the different minerals or even parsing a sentence in an English lesson.
In order to examine 'those segments' you need to be able to identify them. Colour TV and photography (even with film) and our eyes uses selection (i.e. filtering) to analyse the colour of an object. Our eyes are NOT spectrometers. They use just three basic bands of colour ('filters') and do the best they can to analyse / classify subjective colours with that. This link discusses the basics of colour perception. If you search around, you will probably find there are many more articles on the artistic aspects of colour and composition of pictures than the nuts and bolts of colorimetry.
Our colour vision makes do with basically three different filters which examine the relative levels of reds, greens and blues in the light arriving at the retina. (a very simple three colour analysis Here's another link.). I notice your mention of the word "prism" in your thread title. That is, indeed a form of filtering which diverts different wavelengths in different directions. A lens that's badly made can have this effect at edges between two parts of an object (colour aberration) and that's a danged nuisance.
Your idea, as you state it, has one huge problem because light frequency remains the same over its whole path. Without measuring, analysing and quantifying, you can't show what a picture will look like if the frequencies are shifted about.
My mention of extra filters for obtaining more colour information in a picture has the message that you can introduce 'false colour' into a picture. For astrophotography you absolutely have to use selective filtering of the wavelengths from a certain object because it is just too faint and swamped out by other brighter objects.
Most monitors have 256 levels of brightness per RGB channel. 2563 = 16 million colours.LightningInAJar said:Human eyes can tell between 8 to 10 million colors, but screens I think can represent billions?
Humans are pretty good at interpreting full colour images. It's kind of our thing.Now, it's true that, if we want to examine specific sets of data individually, we might want to break those out:LightningInAJar said:I just assume the human eye can only deal with so many colors at a time.
Depends what you mean by "better". Mantids have a broader range of frequency sensitivity (and polarity), but I suspect humans have a greater density of receptors at the fovea than mantids - meaning higher rez.LightningInAJar said:Strangely a mantis shrimp has like 20 cone cells yet human color vision is better.
Spectroscopy, or spectrophotometry ?LightningInAJar said:Is it possible to create a lens that expands a narrow range within the visible light spectrum to represent it using full visible spectrum?
Best not make 'assumptions' about these things. Scientists took hundreds of years to arrive at valid models of colour vision. Nowadays the model has become pretty well established although there are some alternative views which attempt to explain the psychology of vision in detail and why we often experience things differently under different conditions. We actually deal with a limited number of experiences at at any one time, whether it's colour, sound, taste etc. because we only have a certain available processing power. Avoid going down there until you know an awful lot more about the basics.LightningInAJar said:I just assume the human eye can only deal with so many colors at a time.
Spectrophotometer:LightningInAJar said:I was trying to consider a way a normal camera could photograph the same scene with multiple photos and compost them to create an image with a much larger color palette. I assume file formats have fewer limits than the physical capture.
Very cool, I didn't know those existed... TIL about "Datacubes"hutchphd said:Spectrophotometer:
https://en.wikipedia.org/wiki/Imaging_spectrometer
I guess you have moved on from the 'lens' idea (that's good). Yes, ten filters can produce ten data sets which could provide more information for picture processing. The human analysis curves yield a particular type of perception. The 'colours' we see are not all spectra' lines or bands. There are those which are produced by mixes of reds and blues but a low level of greens. We see them as colours that are 'on the other side for white'. Colour TV can represent these well. There could be a problem with using more analysis bands because the light energy passing through each each filter would be less and the total amount admitted into the lens would be shared by the ten sensors (or used sequentially, which would also reduce the signal to noise ratio for each sensor).LightningInAJar said:I figured maybe dividing the visible spectrum into 10 portions, represent those wavelengths using the full visible spectrum (only initially for representation), then give appropriate representation after images are composited.
I have read color blind people can identify people wearing camouflage better than tricolor visioned people which also emphasizes processing and how too much information at one time might always be bad.sophiecentaur said:Best not make 'assumptions' about these things. Scientists took hundreds of years to arrive at valid models of colour vision. Nowadays the model has become pretty well established although there are some alternative views which attempt to explain the psychology of vision in detail and why we often experience things differently under different conditions. We actually deal with a limited number of experiences at at any one time, whether it's colour, sound, taste etc. because we only have a certain available processing power. Avoid going down there until you know an awful lot more about the basics.
Perhaps you should get better acquainted with the actual facts about colour vision and imaging. It seems to me that you are trying to bend what people have written here to fit your personal ideas. That tends to lead nowhere. Did you actually read those two links I gave you?
Google topics like colour vision and ways of colour mixing. You will need to distinguish between additive and subtractive mixing, of course and steer clear of discussions of composition and aesthetics. They have their places, of course but not when you are discussing the nuts and bolts of things.
True.LightningInAJar said:I have read color blind people can identify people wearing camouflage better than tricolor visioned people which also emphasizes processing and how too much information at one time might always be bad.
It just shows that evolution 'makes choices' between use of resources (energy etc.) and overall benefit. The tristimulus system has proved beneficial in more circumstances than a 'bistimulus' system might have done. Likewise, a 'polystimulus' system would involve more cost without a corresponding advantage.LightningInAJar said:which also emphasizes processing and how too much information at one time might always be bad.
We do. There are documented cases of tetrachromats. These people (mostly women) have a fourth receptor that allows them to make far more subtle distinctions in the greens than the rest of us.sophiecentaur said:... we might have a tetrastimulus arrangement.
That doesn't surprise me too much. Do you have a reference?DaveC426913 said:We do. There are documented cases of tetrachromats. These people (mostly women) have a fourth receptor that allows them to make far more subtle distinctions in the greens than the rest of us.
Oh I have. Rare. Still not sure if they do in fact see more colors or not. I know some find it distracting. I assume maybe half of the "green" cones are closer to being "yellow" cones?DaveC426913 said:True.
And for further reading, have a look at the other end of the human vision spectrum: tetrachromats.
There was a TV show that interviewed a woman suspected of being a tetrachromat. She said people were always wearing outfits that didn't match - usually green. They thought the top and bottom were the same colour, but she saw them as two obviously distinct shades of green.LightningInAJar said:Oh I have. Rare. Still not sure if they do in fact see more colors or not. I know some find it distracting. I assume maybe half of the "green" cones are closer to being "yellow" cones?
Well, dogs have a different perception than us.LightningInAJar said:Do you know if there are any animals that don't contrast colors as we do?
You're making another "assumption" about what is going on. There are no special "yellow" or "green" (or Pink, turquoise or purple) cones. There are just three types of cone; some can detect a broad range of what we would call Reds, others detect Greens and others detect Blues. If you look at something and it appear to be Yellow, your Green receptors are getting some and the Red receptors are getting some. Your brain takes the combination of R and G and calls it some shade of yellow. Moreover, there are a huge range of mixes of wavelengths that can give the same sensation of 'colour'. It is totally subjective and no two people will agree precisely what colour to call something or to match it. Tetrastimulus vision is a complete red herring in the context of the basic model; it neither proves nor disproves anything. You must be prepared to do some reading about this and not make up your own stuff. If it were like you imagine, colour cameras just wouldn't work because they really really do only have three sets of sensors.LightningInAJar said:I assume maybe half of the "green" cones are closer to being "yellow" cones?
DaveC426913 said:There was a TV show that interviewed a woman suspected of being a tetrachromat. She said people were always wearing outfits that didn't match - usually green. They thought the top and bottom were the same colour, but she saw them as two obviously distinct shades of green.Well, dogs have a different perception than us.
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I mean that we can't see red-green because our brain or optic system won't give us a perception for it.DaveC426913 said:There was a TV show that interviewed a woman suspected of being a tetrachromat. She said people were always wearing outfits that didn't match - usually green. They thought the top and bottom were the same colour, but she saw them as two obviously distinct shades of green.Well, dogs have a different perception than us.
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Could you make that statement clearer, please? It's certainly one or the other of those options.LightningInAJar said:I mean that we can't see red-green because our brain or optic system won't give us a perception for it.
A prism camera lens is a specialized optical component that uses prisms to refract and disperse light into its constituent colors, effectively expanding the visible light spectrum captured by the camera. This can enhance the detail and color accuracy of the images taken.
A prism camera lens works by passing incoming light through a prism or a series of prisms. The prisms bend (refract) the light at different angles based on its wavelength, spreading it out into a spectrum. This process, known as dispersion, allows the camera to capture a broader range of colors and finer details.
The primary benefits of using a prism camera lens include enhanced color accuracy, improved detail resolution, and the ability to capture a wider range of wavelengths. This makes them particularly useful in scientific imaging, art photography, and any application where color fidelity and fine detail are crucial.
Some potential drawbacks of using a prism camera lens include increased complexity and cost, potential for light loss due to multiple refractions, and the need for precise alignment and calibration. Additionally, the size and weight of the lens system may be greater than standard lenses.
While a prism camera lens can theoretically be used with many types of cameras, practical use may require specific mounts, adapters, or modifications to the camera body. Compatibility depends on the design of both the lens and the camera, and some cameras may not fully benefit from the expanded spectrum capabilities without additional software or hardware adjustments.
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