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https://www.youtube.com/watch?v=OLPD6tz5SyY
Rock stars with lots of money can manage to buy vintage (late 50s) Les Pauls. The sunburst models with PAF (patent applied for) humbucking pickups are especially desirable.ThomasT said:Never mind, it suddenly came to me. While drooling. Duuh.
Why are they especially desirable? I don't know because I was never an electric guitar player of any notable skill. Played acoustic guitar for years. Dabbled with bass and many other instruments, then eventually got into keyboards ... which I really like because of the compositional capabilities.turbo said:Rock stars with lots of money can manage to buy vintage (late 50s) Les Pauls. The sunburst models with PAF (patent applied for) humbucking pickups are especially desirable.
Gad said:-tPKXC-zIIE[/youtube][/QUOTE] Very nice Gad Girl. :approve:
Sorry for the delay Thomas - that just slipped by me. The early Les Pauls were tone-monsters. Lots of sustain (due to the heavy bodies and the solid necks). The bodies were solid mahogany with carved maple caps. And the PAF pickups were wonderful. Peter Green (founder of Fleetwood Mac) had one with one of the pickup magnets reversed, giving a distinctive "scooped midrange" tone when both pickups were in use at the same time. (BB King said that Green's guitar tone gave him the cold sweats.) When Green was rejecting the music business, he sold that guitar for a pittance to Gary Moore, of Thin Lizzy.ThomasT said:Why are they especially desirable? I don't know because I was never an electric guitar player of any notable skill. Played acoustic guitar for years. Dabbled with bass and many other instruments, then eventually got into keyboards ... which I really like because of the compositional capabilities.
Anyway, I'm guessing it's because of the tones/resonances that one can produce with the Les Pauls. Waiting for your elaboration.
dlgoff said:Very nice Gad Girl.
Thanks turbo, the technical details of this are a bit over my head. But I think I basically understand.turbo said:Sorry for the delay Thomas - that just slipped by me. The early Les Pauls were tone-monsters. Lots of sustain (due to the heavy bodies and the solid necks). The bodies were solid mahogany with carved maple caps. And the PAF pickups were wonderful. Peter Green (founder of Fleetwood Mac) had one with one of the pickup magnets reversed, giving a distinctive "scooped midrange" tone when both pickups were in use at the same time. (BB King said that Green's guitar tone gave him the cold sweats.) When Green was rejecting the music business, he sold that guitar for a pittance to Gary Moore, of Thin Lizzy.
Back then, there were a couple of guitars that were dominant in Rock and Roll. One was the Fender Stratocaster. Ash body with bolt-on neck and single-coil pickups. The other was the Les Paul. (Solid mahogany body with carved maple cap and glued-in mahogany neck.) The Les Paul also had double-coil humbucking pickups that were quite resistant to line-noise, buzz from neon lights, etc. If you could stand wearing one on a strap all night (massive!) you could get pretty impressive tone and volume from the little amps of the day.ThomasT said:Thanks turbo, the technical details of this are a bit over my head. But I think I basically understand.
nevere said:deftones - digital bath
deftones - house of flies
Gad said:I'd appreciate a translated lyrics to that song [if there's any], Borek.