- #946
mattmns
- 1,128
- 6
I can see it fine, and I like it
dextercioby said:I appreciate especially BAD HUMOR.Yours included...
Daniel.
mattmns said:I think MB has had it long enough.
Moonbear said:Then you must be just splitting your sides laughing over Bart's comic links!
dextercioby said:As the matter of fact,they mke me cry.
Daniel.
Which they did through sarcasm and witty use of incongruity.Bartholomew said:Moonbear, you see the "humor in dadaism"? That's amazing... dadaism is a school of art that grew out of WWI and is concerned with meaninglessness.
Bartholomew said:Moonbear, you see the "humor in dadaism"? That's amazing... dadaism is a school of art that grew out of WWI and is concerned with meaninglessness.
Do some more reading; she's right.Bartholomew said:No, which they did through random art containing no intended meaning. Personally I like the idea, though all I've ever known about it was a blurb in a textbook 5 years ago and a Wikipedia article just now.
Although they didn't really consider it a movement, they created some manefestos. This is from the first manefesto:Bartholomew said:
http://wwar.com/masters/movements/dadaism.htmlDada began as an anti-art movement, in the sense that it rejected the way art was appreciated and defined in contemporary art scenes. Founded in Zurich, Switzerland, the movement was a response to World War I. It had no unifying aesthetic characteristics but what brought together the Dadaists was that they shared a nihilistic attitude towards the traditional expectations of artists and writers. The word Dada literally means both "hobby horse" and "father", but was chosen at random more for the naive sound. What After finding its origins in Zurich, the Dada movement spread the Berlin, Cologne, Hanover, Paris, some parts of Russia, and New York city.
An anti-art movement?
According to its proponents, Dada was not art; it was anti-art. For everything that art stood for, Dada was to represent the opposite. Where art was concerned with aesthetics, Dada ignored them. If art is to have at least an implicit or latent message, Dada strives to have no meaning--interpretation of Dada is dependent entirely on the viewer. If art is to appeal to sensibilities, Dada offends. Perhaps it is then ironic that Dada is an influential movement in Modern art. Dada became a commentary on art and the world, thus becoming art itself.
Dex doesn't like our Dada discussion.dextercioby said:Holy Moly!Is this thread hijacked,again...?Art??Dadaism??This thread? :!)
Daniel.
Artman said:Dex doesn't like our Dada discussion.
So anyway, I think that while the Dadaists were attempting to remove conscious thoughts of art in the creation of their art, they still seemed to use very deliberate choices to emphasise their dislike of contemporary art society.
dextercioby said:Yuck,what...?
Daniel.
SOS2008 said:Okay, so back to the thread... Not only have I become a PF addict, but also I think I may be a dreaded "thread killer" --that's right—not just a “thread hijacker,” but an outright killer! How can I be sure? Acknowledgement is the first step in the 12-step program I hope...
Bartholomew said:Moonbear, if the history books, encyclopedia articles, etc. generally say that dadaism springs from universal disillusionment and nihilism as products of WWI, don't you think that might give you a hint?
I think that what the Dadaists did just seems so strange to you that you can't accept that they weren't kidding.
Nihilism means no final values at all. Dadaist art, according to the nihilist Dadaists, is no more or less junk than anything else at all. They would not come to your conclusion that "haha, the million-dollar art is worthless, what a joke!" because to them everything is worthless.
Dada quickly spread to Paris, Berlin, and even across the Atlantic to New York City. Dada ranted and railed against conventionally accepted aspects of society, challenging the status quo and questioning authority.
Nothing was sacred! Everything was mere fodder for Dadaist questioning and ridicule. Common objects, normally taken for granted, were often praised as artistic triumphs and practically worshipped, before being ripped to shreds and stomped on before a live audience of confused and bewildered people. Artists such as Man Ray, Max Ernst, Marcel Duchamp, and Hans Arp were just a few of those who moulded and shaped Dada into something quite perversely erotic.
Dada can be seen as a series of socio- patrio- psychologic- anarcho- materialistic experimental... things. Sometimes Dada artists would do something not to create art, but to instigate art in the audience. A bonfire of all the art created that night might be an example. Artists, after allegedly slaving over grandiose works of art and presenting them to the audience, would start a large fire and throw their works of art into the fire, just to see what the audience would do, if anything. Spontaneity and improvisation were the order of the day. Dada artists would break barriers by acting first and thinking later, taking their audience hostage or threatening to mow them down with farming equipment, for example.
Bartholomew said:You may have taken an art history class, but it's clear from talking to you that you are not experienced in interpreting art. Case in point, the issue with that Dinosaur Comics comic. Other case in point, your own admission that you do not enjoy art in general.
You start coming up with quotes from these people and you may begin to make a case; however, bear in mind that if you do so successfully, you're still only picking and choosing which quotes to use. For every quote about dadaism as humor, I'd guess there are 10 quotes about dadaism as nihilism, and probably 100 quotes about dadaism as nihilism if you account for the fact that the quotes about humor would sound more "interesting" and be more likely to be recorded.